So, can Jimeng and Kling actually ride the wave of AI short dramas? That’s a pretty solid question. Anyone who’s been making content for the past couple years knows short dramas are absolutely crushing it in terms of traffic, and the production costs are super low. If AI video can step up, you could literally double your output.
But from what I’ve tried myself, the hardest part about short dramas isn’t whether a single shot looks good—it’s character consistency, smooth motion, and that continuous emotional flow. When you stitch together clips piece by piece, the faces often change from one scene to the next.
The opportunity is obvious, but whether these models can actually deliver depends on whether they can crack these tough nuts. Has anyone here actually run continuous storylines with these domestic models? How’s the real-world experience?