想法是把古典人像塞进老胶片的质感里：单侧硬光，右脸整个丢进阴影，烛火只当环境光、不当主光。黑位压得比较狠，屏幕暗一点看更对味。帔帛的褶皱是画里唯一的软东西，别让它过曝。
analog film portrait, photorealistic raw film scan, chiaroscuro and Rembrandt lighting,
one young Chinese woman, pale skin,
long black hair in a half-up style with a jade hairpin, a few loose strands across her face,
dark brown eyes, a faint beauty mark, bare skin, minimal makeup, lips slightly parted,
a calm melancholic expression, looking straight at the viewer,
a white linen hanfu with a straight neckline, wrinkled fabric with a visible weave,
a sheer crinkled white silk pibo draped over her shoulders and head,
a jade bracelet on her left wrist,
holding an antique brass candlestick with both hands at chest height,
aged brass patina with engraved traditional patterns, a single lit white candle,
hard warm golden light from the left, deep shadow down the right side of the face,
candlelight only as ambient fill,
a dark charcoal background with a faint warm bokeh glow in the upper left,
medium shot from the waist up, vertical composition,
shot on a 6x7 film camera, 105mm f/2.4, warm 800 speed color film pushed one stop,
heavy grain, warm orange-brown grade, crushed blacks, soft highlight roll-off,
visible pores and natural skin imperfections, shallow depth of field, fine art portrait
烛焰本身别追求锐，糊一点反而像真的在烧。