雨停之后走回家那段路，总有一滩积水刚好接住月亮，看久了就想画一张真的能把月亮捧起来的。开跑之前最担心两只手和月盘边缘会糊成一坨，实际抽到第三版就稳住了，最满意的是掌心那圈暖光和整条街的冷调分得很开，脸是被下面的光托起来的。风格上我故意压饱和、加重颗粒，要的是胶片截帧那种脏一点的质感，画面太干净反而不像半夜的街。
提示词我重新理了一版，人物、动作、环境、光影、镜头拆成几段写，比堆一长串好控制：
(MAPPA anime style:1.3), cinematic anime film still, semi-realistic anime, clean cel shading, seinen aesthetic, original character design,
(surreal:1.3), (muted desaturated palette:1.2), (cinematic film color grading:1.3), (fine film grain:1.25), grounded gritty realism, natural warm skin tones, deep shadows, high contrast, dramatic chiaroscuro lighting,
1 adult woman, warm skin, shoulder-length dark hair falling forward past her cheeks, freckles across the nose, lips slightly parted, calm awestruck expression, naturalistic proportions, distinct original face, crouching low on her heels,
worn wool coat, loose knitted scarf, faded jeans, damp hems, plain everyday outfit,
crouching over a shallow street puddle after rain, both hands lifting the reflection of the full moon out of the water as a solid glowing disc, water still running off its rim, the puddle beneath left dark and empty, careful gentle pose,
quiet narrow street at night after rain, wet reflective asphalt, telephone poles and tangled overhead wires, one dim streetlight far behind, parked bicycles, low houses, faint mist, empty road,
cool moonlight from above, warm glow from the held moon-disc lighting her face and palms from below, rim light along hair and shoulders, wet specular reflections on the pavement, atmospheric haze, deep red and pale glow accents,
low angle close over the puddle, intimate framing, shallow depth of field, vertical composition, film still
负面词只挂了 bad hands、extra fingers、text、watermark、oversaturated，挂太多颗粒感也会被一起磨掉。
