这张是先有光才有人的——脑子里先蹦出来一束硬光从右边斜着切进来，其余全沉进黑里，人是后面才往光里塞的。剑尖朝下、左手把披帛往外拽那个动作前后试了七八轮，早几版剑总是糊成一根没有厚度的铁条。
提示词在原来的基础上补了布褶、光落在身上的具体位置和胶片那点晕光，现在出片稳定多了：
(masterpiece, best quality, ultra detailed:1.2), (analog film photograph, photorealistic, raw 120 film scan:1.3), (chiaroscuro, low-key lighting:1.35),
1girl, young Chinese woman, fair East Asian skin, bare face, minimal makeup, visible skin texture and pores,
(long black hair, part of it veiled under a white silk pibo:1.2), carved jade hairpin, (eyes closed:1.15), head tilted slightly back, calm and faintly mournful expression,
(white linen hanfu, two-piece:1.3), crossed-collar wrap top, sheer silk pibo draped from both shoulders down the arms, floor-length linen skirt, heavily creased hand-woven fabric, loose threads catching the light, jade bangle on left wrist,
(right hand holding a Chinese jian, blade angled down:1.3), slim steel blade with soft grey reflections, traditional guard, dark wrapped grip, red tassel hanging still,
(left hand pulling the pibo outward:1.15), silk stretched thin, translucent where the beam passes through,
(dark hazy background, drifting smoke:1.25), deep blue-black void, faint warm bokeh in the upper right, atmospheric depth,
(hard warm key light from camera right:1.3), lit edge along her left side and cheekbone, deep falloff into shadow, fabric glowing at the rim, subtle rim light on the hair,
(shot on Pentax 67, 105mm f/2.4:1.2), (Kodak Portra 800, pushed one stop:1.3), heavy organic grain, warm orange-brown grade, crushed blacks, slight halation,
full body, vertical composition, fine art portrait photography, xia nu wandering swordswoman mood, the quiet before a duel
负面词那边我主要压 extra fingers、blurry blade、plastic skin，皮肤一油整个胶片味就散了。